Mindless automaton mikeaus professional#

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Mindless automaton mikeaus professional#

This study subsequently addresses the discord between Maelzel’s age and ours regarding the values of musical time and performance practices: those metronomic qualities largely rejected by Maelzel’s musical contemporaries are often vehemently endorsed today by many professional musicians and educators who apply mechanically precise tempos and rhythms to all musical repertoires. His automata emblematized a machine culture that ran in direct opposition to the subjective ‘artistry’ championed by many skilled performers and composers over the century.

As numerous accounts maintain, Maelzel’s automata projected decidedly inhuman performance practices. This chapter begins by offering a reception history of Maelzel, the metronome, and his automata, and exploring the cultural significances underlying his clockwork creations across the Industrial Age. Johann Nepomuk Maelzel, despite being most recognized today for inventing the clockwork metronome, was one of the most famous automata showmen of the nineteenth century.